A group of Jewish film professionals flee Nazi Germany for a new life in Spain. Determined to continue with their careers, David Oliver and director cum theatre manager Kurt-Louis Flatau form “Ibérica Films” in Barcelona, 1934. The expertise they bring with them will leave an indelible mark on Spanish Cinema.
A production still from the Ibérica Films production Doña Francisquita (1935). My grandmother (and production chief) Edith Oliver sits in the foreground . Having to work on shoestring budgets forced Ibérica Films to operate very much as a family affair. Directly behind her stands the film’s director, Hans Behrendt. Both are dressed in the ubiquitous UFA work uniform…a white lab coat.